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John Constable

  1776 – 1837
 
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Leathes Water sold

Leathes Water   1815

Mezzotint engraved by Henry Dawe (1790-1848).

Extremely rare. A very fine impression with the full lettering and John Constable’s own publication line.

The first work to be published by John Constable himself and the earliest mezzotint of any of his works.

SOLD



Hadleigh Castle – Large Plate sold

Hadleigh Castle – Large Plate   1830/49

Mezzotint by David Lucas, as directed by John Constable.

Proof before all letters, printed from two plates. Only 25 proofs of this sort were printed and these are now very rare indeed.

SOLD



A Dell Helmingham Park, Suffolk sold

A Dell Helmingham Park, Suffolk   1830

Mezzotints by David Lucas as directed by John Constable; one with scraping out and watercolour wash by John Constable.

** A comparative group of variant three impressions. **

Unique early progress proof before all letters, re-worked by John Constable with scraping and grey watercolour wash, sold together with a comparative impression of the same subject in Barnard’s third published state, and a further example in the final (fifth) published state.

SOLD



The Cornfield – Large Plate sold

The Cornfield – Large Plate   1832/34

Mezzotint by David Lucas, as directed by John Constable.

Superb impression in the first published state, prior to the addition of the Royal Academy’s coat of arms and with the scratched name and address of the publishers dated June 2 1834.

SOLD



Mill near Colchester sold

Mill near Colchester   1845-4

Mezzotint by David Lucas after John Constable.

Rare progress proof before all letters and prior to completion of the image. Shirley progress proof ‘q’.

SOLD



A Seabeach, Brighton sold

A Seabeach, Brighton   1830

Mezzotint by David Lucas as directed by John Constable.

Very good impression in Barnard’s fourth state, as published in the second part of Various Subjects of Landscape, Characteristic of English Scenery, in January 1831 (carrying the engraved date of 1830).

SOLD



Jacques and the Wounded Stag sold

Jacques and the Wounded Stag   c.1830-32

Mezzotint by David Lucas, as directed by John Constable.

Rare progress proof before all letters and prior to completion of the image. Between Shirley's progress proofs ‘i’ and ‘j’.

Outstanding impression with the fresh mezzotint burr printing a rich black to produce striking contrast. Prior to the roulette work to the right of Jacques and across the foreground areas but after the roulette work had been added between Jacques and the large oak tree.

SOLD



Gillingham Mill sold

Gillingham Mill   1843

Mezzotint by David Lucas after John Constable.

Rare progress proof before all letters.

Excellent, fresh impression, with bright contrast. A particularly fine early proof impression, with the image completed and the borderline added. Inscribed in pencil with the initials “A.C.”, denoting this impression to be from the personal collection of the artist’s son, Alfred Constable.

SOLD



Stonehenge sold

Stonehenge   c.1832 / 1843

Mezzotint by David Lucas after John Constable.

Rare progress proof before all letters.

Superb working proof impression, before the path to the left of the signpost had been scraped and outlined in drypoint and before the signpost and parts of the foreground had been made lighter.

SOLD



Porch of the Church at East Bergholt, Suffolk sold

Porch of the Church at East Bergholt, Suffolk   c.1843

Mezzotint by David Lucas after John Constable.

Excellent proof impression between Shirley’s progress proof ‘f’ and the 1st published state. In this state, the engraved title has not yet been added to the plate and only the artists’ names and intended publication line appear in script lettering.

SOLD



The Opening of Waterloo Bridge sold

The Opening of Waterloo Bridge   c.1831-38

Mezzotint by David Lucas as directed by John Constable.

Unique proof impression, over-worked by David Lucas in pencil.

Excellent impression, extensively touched in pencil
by David Lucas with intended alterations, a number of which appear in the subsequent first published state of the plate. With the rare first lettering, mis-spelling Constable’s name as “Dunstable” and giving Moon’s ‘publication’ line.

SOLD

 

The close collaboration between John Constable and his mezzotint engraver, David Lucas was one of the most successful artist/engraver relationships in the history of British printmaking. John Constable would provide the initial conception for each image and David Lucas would interpret his ideas onto the plate, producing a progress proof at each stage of the engraving for Constable to advise upon, or correct and retouch, until the image was complete. These touched early progress proofs are the most sought after printed works in John Constable’s artistic œuvre, displaying both the process through which his images were developed and the richest quality of the fresh mezzotint burr. [more]